I liked DOOM: House of Hope, German artist Anne Imhof’s hotly anticipated but now widely panned immersive-performance spectacular at the Park Avenue Armory. I know that judgement is either going ...

Anne Imhof’s three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art. The experience of “Doom” is ...

Anne Imhof’s new performance piece “Doom: House of Hope,” lets several Romeos answer — and leaves audiences to untangle their own “why” during the three-hour runtime. Shakespearean ...

Anne Imhof’s DOOM at Park Avenue Armory. Photo: Nadine Fraczkowski. Courtesy the artist, Galerie Buchholz, Sprüth Magers, and Park Avenue Armory. Beyond the dimmed lights and the gloomy ...

Anne Imhof’s new performance piece “Doom: House of Hope,” lets several Romeos answer — and leaves audiences to untangle their own “why” during the three-hour runtime. More from WWD Late Fashion ...

Anne Imhof’s new performance piece “Doom: House of Hope,” lets several Romeos answer — and leaves audiences to untangle their own “why” during the three-hour runtime. More from WWD Kering Taps Malika ...

This is Anne Imhof and Devon Teuscher ... He is wearing the costume I made for him, which is “DOOM” printed over an old Harvard shirt and an Elizabethan-inspired collar.

As everyone’s social media feeds can attest, it’s Anne Imhof week in New York City ... Avenue Armory for the debut of her latest opus, Doom: House of Hope—a maximalist performance art ...

Imhof’s signature visual language remains intact in DOOM, where seemingly weary and disaffected performers stand, stroll, skate and dance through a three-hour, loosely structured performance.