Jennifer Lopez is a vamping diva in Bill Condon's 'Kiss of the Spider Woman,' a musical movie in search of something better.

Jennifer Lopez exclaims she’s been waiting to star a feature movie musical, “My whole life!” Finally that day has come with Kiss of the Spider Woman, the independent production of Bill Condon’s take of the early 90s John Kander and Fred Ebb musical which is in turned based on the 1976 Manuel Puig novel and

Jennifer Lopez, in a bodycon spider web dress, couldn’t hide her emotion as fans gave her performance in ‘Kiss of the Spider Woman’ a standing ovation

Lopez modeled a sheer lace Valdrin Sahiti gown featuring a bedazzled web design, accessorizing with a diamond-encrusted Hassanzadeh cocktail ring and a black clutch. The singer was dressed by Rob Zangardi and Mariel Haenn, who also count Kerry Washington, Hailee Steinfeld and Lindsay Lohan as clients.

Jennifer Lopez brought some Hollywood glamour to Park City, Utah, with the debut of her new film "Kiss of the Spider Woman."

Kiss of the Spider Woman sees Luna, 45, take on the role of a political prisoner during Argentina's civil war in the 1980s, incarcerated alongside another man portrayed by Tonatiuh. Lopez stars in the film as movie star Ingrid Luna.

Jennifer Lopez brought a heady blend of 1950s Hollywood musical and gritty prison drama to Sundance with her new film “Kiss of the Spider Woman,”

Jennifer Lopez brought a heady blend of 1950s Hollywood musical and gritty prison drama to Sundance with her new Kiss of the Spider Woman, which earned a standing ovation from the indie festival.

Amid a number of thin, depressing movies at this year’s edition of the Utah festival, a pair of funny, big-hearted films stood out, alongside the typical contingent of thoughtful character studies and powerful documentaries.

Thrilling, sharp dance numbers, glitzy costumes & campy dialogue all come together to create a dazzling musical that has a few flaws.

Boundaries are constantly blurring in “Kiss of the Spider Woman,” the revolutionary mid-’80s film that became a Kander and Ebb musical, and that cunningly (and stunningly) morphs back to the big screen,