The designer went back to his core, reasserting his tailoring power with polished but easy suiting, modern-looking layers, and simple, sophisticated eveningwear.

The collection’s tonal layers, which the designer called “dégagé chic,” felt thoroughly of the moment.

The eternal conundrum of what to wear to the office these days seems to be suffusing New York Fashion Week. (That, or everyone just binge-watched Severance at the same time.) At Calvin Klein, Veronica Leoni leaned into the softer side of suiting, while yesterday at Carolina Herrera, Wes Gordon unfurled a flirty, romantic take on cubicle staples.